Stephen Knight, Form and Ideology in Crime Fiction (London: Macmillan, 1980) p. Sigmund Freud, ‘The “Uncanny”’ (1919), in Pelican Freud Library, xiv: Art and Literature (Harmondsworth: Penguin, 1985) pp. Sigmund Freud, ‘On the Sexual Theories of Children’ (1908), in Pelican Freud Library, vii: On Sexuality (Harmondsworth: Penguin, 1977) pp. Rodker as The Life and Works of Edgar Allan Poe: A Psychoanalytic Interpretation (London: Hogarth Press, 1949Ĭf. Marie Bonaparte, Edgar Poe: étude psychanalytique (1933), tr. Davidson, in Poe: A Critical Study (Cambridge, Mass.: Harvard University Press, 1957) pp.
Richard Wilbur, ‘The Poe Mystery Case’, New York Review of Books 13 July 1967, pp. Terry Eagleton, ‘Capitalism, Modernism and Postmodernism’, New Left Review 152 (July-Aug 1985) 60–73 (quoting from p. Hoffman, ‘Mademoiselle de Scudéry’ (1819) also William Godwin, Caleb Williams (1794)Į.
Jerry Palmer, Thrillers: Genesis and Structure of a Popular Genre (London: Edward Arnold, 1978) p. Julian Symons, Mortal Consequences: A History from the Detective Story to the Crime Novel (New York: Schocken Books, 1973) p. Howard Haycraft, Murder for Pleasure: The Life and Times of the Detective Story (New York: Appleton-Century, 1941) p. Eliot, ‘From Poe to Valéry’, Hudson Review Autumn 1949 Walter Benjamin, ‘The Paris of the Second Empire in Baudelaire’ (1938), in Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism tr. Carlson (ed.), The Recognition of Edgar Allan Poe: Selected Criticism since 1829 (Ann Arbor: University of Michigan Press, 1966) pp.
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